DANNII IS BACK!



Dannii announced today in an interview with Cameron Adams that she is not only returning to music but also the stage! The glorious Sydney Mardi Gra festivities this summer. So so so very soon! As she's a pop legend, DSTP has taken this opportunity to revel in all things DM by wandering through her delicious discography & celebrating some of my favourite hits, b-sides and rarities. It was hard to select ten songs from her huge discography but, for me, these are the ones that had me constantly hitting repeat and earned a very special place in my heart. 

Everlasting Night 


Given the arena Dannii is returning on Everlasting Night seems the perfect song to begin proceedings. I think it was either 1995 Gay Pride at Galaxy when I first heard this gloriously euphoric song that was announced as the next single. My 11 year old heart raced as the uplifting synths pumped through the sound systems while Dannii's vocals boomed throughout. It was amazing. Everlasting Night became the anthem I'd hum in-between school breaks at my first year of my very dreary secondary school. The song worked as a rainbow blanket comforting those first few difficult months at big school when you're trying to find friends and forge alliances but also gain strength & mark out your identity. Everlasting Night was that song for me. It wouldn't be until 1998 when a hard copy was available thanks to Everlasting Night becoming entwined with the Mardi Gra festivities in Sydney which it was somewhat re-written & re-produced. A best-of compilation cannot exist without Everlasting Night. It is almighty awesome.

Who Do You Love Now?


Sounding like a disco call to arms, Who Do You Love Now was a trance-tastic club power ballad that takes no prisoners. It ravaged you entirely. When the beat kicked-in goosebumps soared through every fibre of the body. Soaring high into the charts at no.3 in the UK it really should've gone straight to no.1. Who Do You Love Now is a pumping athletic club song that snatches the hi-NRG baton that was Dannii's epic single All I Wanna Do and refuses to regress, paved the way for Dannii's Neon Night's album and emerged as an unrelenting mini-marathon of a club hit. Absolutely flawless.

All I Wanna Do


All I Wanna Do is a regal dance-pop song. Posture royally straight, beats decked out like diamonds and refrains addictive, All I Wanna Do is one of shiniest gems in Dannii's crown. All I Wanna Do became the highest charting UK single of her career, entering the UK Top 40 at no.4. Her success with the song ensured its writers and producers replicated the song into what emerged into Believe which as everyone knows became a huge hit for Cher. With its James Bond Theme-esque guitars underscoring Dannii's siren-like vocal, All I Wanna Do was a revelation when I first heard it 1997 and I still marvel at its decadent display of dance, almighty production and sweeping electronic nuances.

Nervous 


An addictive pop cherry of a song if there ever was one, Nervous found itself on constant replay when I first heard it. Not once did it ever feel the side-effects of overplay: burn out. Being a b-side to I Begin To Wonder in 2003, it's over ten years now and I don't think I'll ever tire hearing it. It is immense. Written by Ian Masterson and Terry Ronald, Nervous is a song I've always wondered why the hell it wasn't a) on the album and b) potentially a single! I L.O.V.E Nervous. Its delicious smooth dark electro synths slide over Dannii's sensual vocals and marry-up together to create an highly edgy pop song with raw slicks and addictive beats. Gorgeous.

I Begin To Wonder


I Begin To Wonder leaves me breathless. Just like Who Do You Love Now, I Begin To Wonder takes no prisoners and had me in a disco asthama attack. Written by Dannii Minogue, Jean-Claude Ades, Dacia Bridges and Olaf Kramolowsky for Minogue's 2003 album Neon Nights it incredibly well in the United Kingdom charting at no.2 and certified gold in Australia. I Begin To Wonder is, in many ways, the one song in Dannii's music box that feels very much like a supermodel strutting down the catwalk edging out all competitors, totally fierce and full of attitude. It simply struts.

Come & Get It


In many ways, this is I Begin To Wonders very naughty twin sister. Released a promo single in Germany and somewhat lost as a hidden track on Neon Nights I refuse to allow Come & Get It to be forgotten. For me, the composition written by JCA and Dannii is perhaps more favourable than its sister track. I don't know why exactly but there's something about the Donna Summer-esque vocals layered over the chorus and huge Blade Runner movie soundtrack atmosphere that has always drawn to Come & Get It. As such it is a must in any Dannii essential playlist. The vocal arrangements over the chorus is pure ecstasy and worth the entry price alone. Dreamy.

This Is It


Talking of Dannii's vocals, it was Dannii's ever happy cover of Melba Moore's This Is It which saw me really take notice of the amazing lungs, harmonies and vocal arrangement contained in Dannii's singles. This Is It was also the first single from her second album and it felt very much like a game-changer. For sure, I loved Success and Baby Love, but it was with this release I felt Dannii was putting the exclamation mark in her pop delivery. The message was very much "I have arrived - take notice!". It became one of Dannii's biggest singles repeating the top ten success of her debut single Love and Kisses when it went no.10 in summer months of 1993. Moreover, it is rare example in pop where the cover eclipsed the original and has become staple in Dannii's live shows. Pure pop bliss.

Feels Like I Do


Another JCA production, co-written by pop queen Hannah Robinson and Dannii Feels Like I Do is nothing else like she released during her time with AATW. In many ways you could almost imagine Lady Gaga plonk this on her future albums (you know, when she had her high pop-voltage moments and refrained from going into that weird arty-pop space Gaga loves to linger around for, sadly, too long). Feels Like I Do was decked out in sharp beats, euphoric rifts and uplifting toplines. It is irresistibly catchy and feels delicious next to So Under Pressure where the song was given b-side status. It was eventually given well-deserved higher prominence on Dannii's Club Disco album which is well worth tracking down if you can get a copy.

Goodbye Song

Dann

This was a b-side initially available on the release of Don't Wanna Lose This Feeling and the Masterson/Ronald track should've been a single. I won't hear any arguments exposing otherwise. The bitchy lyrics are tremendous as they wrap themselves around the whip-ass immense production. Goodbye Song is, in many ways, is unusual in that there is no other song like it in Dannii's huge discography and for that reason alone it deserves toasting. On so many levels this track works. Quirky, delicious, creative and funky I never tire of Goodbye Song. On the re-release of Dannii Minogue's excellent Neon Nights, Goodbye Song finally found itself on the album it long deserved be on.

It Won't Work Out


Dannii rarely does ballads. But when she does they're immense. Whether it be I Don't Wanna Take This Pain, The Winner Takes It All or Live For The One I Love Dannii's ballads reveal not only a softer side but also great power behind her voice. One of my favourites of these moments was the last track on her Neon Nights album It Won't Work Out. Written by Terry Ronald, Ian Masterson and Dannii, the song feels confessional, incredibly heart-breaking and revelatory. As such, this chillingly honest heartfelt narrative is not only a brilliant moment on Neon Nights but highlights stunning vocals from Dannii. It is a perfect closer to a excellent pop album and one I constantly go back to. Beautiful.

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Dannii has released a number of greatest hits packages and the recent This Is It: The Very Best Of Dannii Minogue features all her singles and the new song Cos You're Beautiful. Besides the studio albums all of which were re-released and re-mastered with unreleased material and are well-worth hunting down, a lot of the rarer songs featured above are also available on the following releases - The 1995 Sessions, The Early Years, The Hits & Beyond, Club Disco, Unleashed -  all of which you can all track down on places like Amazon.



2015 in Pop! (New acts & releases that I am pretty excited about)


ACT: Kylie Minogue & Giorgio Moroder

WHY: This is pretty much self-explanatory. Kylie. And Moroder. Says it all actually. The album includes a whole gang of exciting collaborations but for me I am gonna head straight towards to the union of Kylie and Giorgio. It's peculiar to think that the two haven't already worked together but its never too late and it seems right to do it now. So excited about this. My lips tremble at the thought of it all. Clutching my disco pearls. 
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ACT: Karen Harding
WHY: Putting my hands up here. Self-Confessin'. I've loved Karen Harding and "Say Something" since I first heard it in the cold months of 2014. Her powerful warm yet soulful vocals surround her debut single that immediately sounds sliced between a lost retro garage house gem of the 1990s and yet spiky dance anthem of 2015. Karen, I can't wait for the album! 
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ACT: Harriet
WHY: Buoyed after the success of her Christmas EP (buy here) and her debut EP "What's Mine Is Yours" (Buy here), Harriet has already planned the follow-up making good on the sparkling response received repeated airplay on BBC Radio 2 & performed live on Graham Norton's weekend show. New stuff is probably due February. She's been busy working with mighty song maestros Steve Anderson, Cliff Masterson, Judie Tzuke and has pencilled in some more very additional exciting sessions before a summertime release of her album.
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ACT: Nervo
WHY: Been waiting for their album Collateral (wip title) to come for a while now. But all good things and all that, right? The album contains their amazing first single with Au Revoir Simone "Rise Early Morning" which is everything I expected and had hoped would be. Big, dance and anthemic. All eyes and eyes will be on the Jake Shears & Kylie duet which is apparently very disco. Should be out around May via Astralworks. Very excited. 
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ACT: Billie Marten
WHY: Her voice is something else. I can never ever tire of Billie Marten. She is outer-wordly and her performances are always spellbinding. I am transfixed by her material and thankfully down to taking all the right steps in 2013 and 2014, it is this year when it looks like she's about to soar. Last year saw her release beautiful "Ribbon", perform at Reading over the summer and take part in Music Weeks Presenting series. Four days ago she signed to the glorious people at Chess Club Records (MØ & Oceaán). So very exciting times for Billie this year.  
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ACT: Bianca
WHY: Bianca is pure pop. So that's always a pretty good place to start. She's working with Steve Anderson and Richard Stannard on her debut album which promises to doff its hat to big hair, Whitney, leg-warmers, Stock/Aitken and everything pop. Also gotta take this moment to note Bianca's stunning voice which she showed off gloriously in her stunning cover of Robbers. Big voice+big things=big 2015. *Gets popcorn*
SOUND: soundcloud.com/biancamusicuk

ACT: Markus Feehily 
WHY: I've always wondered why there wasn't a really male popstar who'd somehow managed create the same delicious magic stardust which fuelled the comets of Robyn and Mary J Blige, combine the two and festoon himself with the glorious afterglow of such a dyadic collision. I thought perhaps for one moment Sam Smith may lead me down that rather interesting path. He sadly hasn't. I gather however Markus has taken on the challenge with immense gusto and as such I can't wait to hear and see him take to the stage in March when he finally unveils his hotly anticipated new sound. Gonna be a good'un. 
SOUND: Not yet. 

ACT: Aurora
WHY: It certainly helps that she shares the name of one of my favourite Disney princesses. It also helps that she hails from one of my favourite regions of pop: Norway. Bergen to be precise. Signed already to Petroleum/GlassNote Records (Decca), Aurora's deliciously synth trinkets of exuberance have ensured she is definitely one of my acts to watch out for this year. My favourite has to be "Awakening". Check it out here. But in fact, everything she touches turns to gold. 
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ACT: Levana 
WHY: I'm rather excited about Levana. I mean c'mon - what a pop name!? Levana! She's been a busy queen b working steadily on her new album with the brilliant pop producer Sarah de Courcy. Nay, Sarah is an immense talent so I'm keeping my eye on Levana. So far proceedings have been kept under wraps but last year she teamed up with the lovely people over at Freemasons (here). And, though I'm thinkin the dance collab is quite far removed from her general sound, the sumptuous voice  of Levana decorates the track like a sonic jewel in the crown. Cannot wait to hear more. 
SOUND: Not yet. 

ACT: Blänk
WHY: Ever since the Nordic trio uploaded their seminal beauty of a song "Tears Run Dry",  I've been fallen hard for the delicious music of Lina, Klas & Simon. "Tears Run Dry" was co-written by one of my favourite Swedish scribes of very good music Noonie Bao (who had a number 1 in the UK with "I Could Be The One" with Avicii). Clapping my hands with joy at the news that three-piece's forthcoming LP "Only Built For Northern Lights" is due out on 9 March via Grind Records.
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ACT: Vaults
WHY: The first of December saw Vaults release "Poison" & additional songs from their big buzz EP "Vultures". They've been bubbling for quite some time but it is 2015 that should see them have some fun. Elegant and sophisticated, their earthy dark electro music fronted by the organic vocals of lead singer Blithe provides a sublime tableau of stylish and critically substantial pop music. Ever since "Premonitions" and "Cry No More" in 2013, I've been hooked. Their debut album is going to be tres tres good. 
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ACT: Sonia Stein
WHY: I love St.Vincent. I also love Shannon Saunders. & Laurel. Love those three too? Sonia may be up your straße. I love her ghostly dark production that drapes itself around her sumptuous voice. Layer on a gorgeous guitar and Sonia makes strikingly atmospheric music which never fails to provide a firework of goosebumps. One of the best new arrivals of 2014 and one to watch this year. 
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ACT: Say Lou Lou
WHY: Been waiting for their debut album for some now despite. So very much buzzed about the news that, yes, the album is coming out! Their new single "Games For Girls" is a little like a pop remix of a Rebecca & Fiona song which is an immense compliment. As I love love love love Rebecca & Fiona. The album, Lucid Dreaming, is out next month. Getting out the streamers already. Oh yes! 
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ACT: Robyn
WHY: The return of Robyn. Don't need many reasons to fully explain why I am excited about new material from Robyn. Suffice to say after a few years of collaborating with very talented persons rumour has Robyn is releasing her big follow-up to Body Talk in the much adored latter end of 2015. So, there may be a bit of a wait but it'll be well-worth it. 
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ACT: Ina Wroldsen
WHY: Involved in some of the biggest pop songs of the last few years, Ina branched off with Swede Arnthor to create Ask Embla and thus released one of the finest pop albums of the decade. Now, Ina is going solo. Her first song "Aliens" has over 2 million streams on spotify alone. In her native Norway, it is gigantic thanks to immense - and well-deserved - radio support. I can't wait for her debut album. Counting the days, nay minutes, until its released. 
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THE HARRIET INTERVIEW



Harriet! Welcome to DSTP! It is such a pleasure to have you hear on our pop-sofa! Its well-overdue! Hope you're sitting comfortably?


I am indeed! And yes, well overdue :-)

Were heading into 2015 2014 was an interesting year for you! The appearance of Afterglow started proceedings 11 months ago! How does it feel looking back and your achievements.

It feels a little overwhelming. The journey this year has been very special. So much has happened in such a short space of time, and the response to the music weve put out there (including Afterglow) has been incredible.

You’re performing live on Graham Nortons show tomorrow! Are you excited?

I am. Very! Also a little nervous though. This is such a huge deal. I am so lucky to have had so much support from Graham Norton, Paul O’Grady and of course Malcolm Prince (their producer) at Radio 2 with my music so far. The endorsement has been a little overwhelming!

Youre working with Steve Anderson. Kylies Music Director. I wanna know more about the collaboration. How did it come to be and so far what has been the best song youve written....

I was introduced to Steve by a mutual friend, who worked with Steve when he started out in the music industry. Before we met, I had been collaborating with numerous brilliant songwriters and producers in an attempt to discover and develop a sound that would define me as an artist going forward. This experience was invaluable and has proven fundamental in my learning to write. However, when Steve and I had our first session together, something incredibly special happened - I can still remember the feeling I got, upon listening back to the track at the end of the day; I thought This is it. This is me and this is all I want to do. I was very excited (and Im a little embarrassed to say I felt rather emotional)! I feel very fortunate to have such a great partnership with Steve. He is one of the kindest, most talented people I have ever met. With regards to the best song”… I struggle to answer that; what defines, best?! Hmmmm I am fond of all the songs we have written for different reasons - each captures a bunch of memories and feelings from the time it was written I love performing Afterglow - every time I sing it, I go to a somewhat magical place. And there are some songs to be revealed in 2015 that I am proud to have been involved in writing, including the one from our first ever session together!

Youre also working with the maestro Cliff Masterson. What was that like?

Oh it was wonderful! Cliff has an immense gift for hearing the entire musical journey of a song before it has even been written! Hence, why everything he works on seems to emit fairy dust! I remember the first time we worked together, he played me a chord progression that he had been working on, that I connected with instantly. The session flowed from there. We had to dig deep for the lyrics of this song; the time it was written was surrounded by a profound event, which inspired the song enormously. I cant wait to go into the studio with Cliff and Steve together, again! The two of them could have been separated at birth! We will have a songwriting, magic-making ball!

He also worked with Steve most notably on Kylies immense Abbey Road Sessions and Susan Boyles winter albums. How does that music history of your fellow song-writers and collaborators contribute to the session?

I can only speak for myself of course, but the fact that I tend to love anything that either of them work on, really does say something about why we work well together. The Abbey Road Sessions is a dreamy whimsical masterpiece. People forget that behind a pop hit is most frequently, a truly beautiful song. The album exposed the quality of the writing behind Kylies amazing career. It is like they re-interpreted the colour of the original tracks and then repainted them with an entirely new palate. Wonderful. Both Susan and Kylie have such distinctive voices, and these are examples of where Cliff and Steve know exactly what they are doing when it comes to surrounding a vocal with the perfect arrangement to best enhance and support it.

Cliff and I just did an interview where he mentioned an intriguing song called Empty Shoes which is yet to be released. I wanna know more! 

Ah, Empty Shoes! The plan is to release it next year. It is special. I hope that it ends up on the album actually.

So would you say your album is pretty much wrapped-up? Or is there still a bit more fine-tuning left with you and Steve?

Id say that we probably have the main bulk of material for the album, yes. But its not done until its done (if you know what I mean)! We have some writing sessions planned in the new year, so who knows

 Harriet's First EP (iTunes

You released your first EP this year Whats Mine Is Yours (link here). What is the story behind the songs and why did you include those three from your growing songbook?

I wrote Whats Mine Is Yours with Steve and the wonderful Judie Tzuke. The song is about receiving a gift and sharing it with everyone you love.  It also deals with the subject of nostalgia and that often we hear or experience things that are able to take us to another time or place in our hearts. Afterglow was a definite choice for my debut EP, because I feel that the song captures everything about who I am as an artist - the lyric and melody, and Steves production best define my sound and identity as an artist. If (When You Go) is a cover of Judies original version of the song and it was written by her and Steve. Quite simply, I adore the song and love to sing it. We thought it would tie our collaboration on Whats Mine Is Yours together well too.


What is the heartbeat behind the lyric "some part of me has been here before...you'll hear it in my voice"   This always sends me into a harmony of goosebumps! 

People say that my music reminds them of artists that were around in the 60s/70s and interestingly, these are the eras that have most influenced me. That line in the song refers to this comparison. The song is about receiving a gift and sharing it with those that you love. If people connect with my voice and my songs because I remind them of a previous time or an artist that was close to their hearts, then that is very special.


After the release of the EP, you covered Michael Buble and 10CC. What made you pick those two specific songs?

Im Not In Love came about because Steve and I wanted to record a version of a song from the era of the music that I love (predominantly the 1970s), but without it being an obvious choice. I am a hugely influenced by acts from the 60s and 70s that used such elaborate arrangements and vocal harmonies - The Beach Boys, The BeeGees, Art Garfunkel, The Carpenters, and 10CCs original hit record felt like something we could be true to the spirit of it, whilst still injecting something fresh into our version.

Michael Bubles Home (listen here) came about through my adoration for his voice and work. I honestly believe he is one of the most exceptional singers and performers of this generation. He has mastered combining classic crooner-ism with contemporary pop, and Home is a perfect example of this. It is written so phonetically and his phrasing is magnetic - I couldnt help but connect with song as soon as I heard it. The song was written by Amy Foster and Alan Chang (Bubles MD). The words are so simple, yet incredibly effective, and the melody flies to every destination in the lyric and back - its beautiful to sing.

What Michael Buble song would most love to duet on together?

His entire Christmas album :-D Please.

And, while were on the subject of inspirations and duets what living male act would you most love to duet with?

Ok, so Michael Buble, you have probably already gathered. George Michael would be a dream come true. He is quite probably my favourite male vocalist of all time. I would love to hear our voices together, it would be a dream come true. Also, Steve has been working with a brilliant singer, Mark Feehily (of Westlife). I was treated to a taster of what theyd been working on and I think my mouth just hung open throughout the entire song! What an instrument. Hed be awesome to sing with.

What is it about GMs voice that draws you to him in particular?

Everything about his voice gets me. His inflections are so unaffected, yet incredibly distinctive. In fact, I believe they become the way the song is remembered - If you sing back a verse of one of his songs, you cannot help but copy all the little magical things he does - it is magnetic. I also love that you can hear every word he sings, unlike a lot of singers, where you catch the odd vowel sound and you have to kind of guess! You cant only hear his voice, you can smell, taste and feel it - somewhere between smoking wood, molten chocolate and wintery night air. I love it!

You recently picked his Christmas song as a b-side to Maybe This Christmas. The way you performed his song its as if you lived his lyrics. What drew you to December Song? (Soundcloud link here)

The song has always been a favourite Christmas song of mine. I love the way the melody sits over particular chord changes. It is close to my heart because I have memories where difficult times during the year, were put aside at Christmas time. In a way, it might seem wrong to pretend that everything is ok when it isnt, but I think we all need to do that sometimes, in order to remember what is important.

In many ways then it is a perfect song to follow your very own Christmas song Maybe This Christmas. What was the internal heart behind the song & its lyrics?

You have probably heard the phrase, Christmas is for children. Well, I believe this. But I also believe that we are all children inside; hence why it is for everyone. When we are little, the only things we have to worry about are being good (so Santa Claus will come) and that we know where the people are who love us most, so we are safe. When we become adults, life becomes so complicated, and we suddenly see the truth in everything, which of course makes people confused, unhappy and sometimes bitter. Maybe This Christmas is about wishing to return to being a child, when you didnt have all the answers and you were happy to believe without any need for proof or reason. If we capture that at Christmas, well be alright.

How was Christmas for you growing up as a child?

Growing up, Christmas was a very special time of year - the best in fact. I love Autumn/Winter weather. Bitterly cold - blue skies. I grew up in the countryside, so remember long walks on Boxing Day. Decorating the tree was always a scheduled event - carols playing, mince pies (and champagne as I got older)! Christmas was always spent with family, and we would all dress up and make an effort to wrap gifts beautifully. And most importantly, Christmas is probably the time of year that I got to know most of my extended family We saw each other throughout the year, but Christmas with tons of cousins and uncles, aunties and grandparents was just wonderful. I feel very fortunate to have had that closeness with my family at a young age.


You live your lyrics.

Very. In fact, I was in a writing session recently and we were writing a song on a topic that I was struggling so hard to relate to and we kept reaching brick walls What started off as a great idea for a song, ended up as something I felt incredibly disconnected to.

There is hope in Maybe This Christmas but also loss. What is the saddest song you ever wrote?

There is an element of sadness in quite a few songs Ive written, but if I had to choose one, I would say Empty Shoes that I co-wrote with Cliff Masterson. It was hard to get the words out when I was recording the vocal. There were some teary eyes that afternoon.

And I have to askwhat female artists would you most love to duet with?

There are so many female voices I love, but I really dont know who I could duet with (I think I would wait to be asked!!). This is mainly because I love distinctive voices, which more often than not, stand alone, and I dont think I compliment any of the singers I really love. However, saying thatJudie Tzuke sang backing vocals on our song, First And Last, which got me very excited about the prospect of doing a duet with her one day. I would love if the song could be one we have written together too. Of course, I wouldnt turn an opportunity to duet with an incredible voice if it came along! Kylie, Olivia Newton John Goldfrapp - Would be pretty incredible. 

Youve started to get a lot of early support from blogs like Pauls fabulous My Fizzy Pop music blog and ChartShaker. What has that been like? 

Its been amazing. Paul (My Fizzy Pop) is such a beautiful writer, and is always extremely generous with his choice of words in reviewing my work. And Nick (Chartshaker) was responsible for my first interview for a music blog. I enjoyed answering those questions so much. It is very special to have such brilliant musical critics saying great things about what you are doing.

Is it true you introduced the artist Tom Butler to Paul. An artist youve actually been working with recently?

Steve and I have recently been in the studio with a wonderful singer/songwriter, Tom Butler working on some new material. Tom writes on guitar and we thought it would be great to bring his writing style into the mix, and Steve and I usually write on the piano. The sessions were brilliant and we got two new songs out of them; each very different.

Ah so when do you think we will get to hear about Fall In Love Again? Will it be part of a release next year perhaps?

Perhaps ;-) The song was written on guitar and has a lovely melancholy feel to it - very simple, almost touching on the vibe of mine and Steves Can I Keep You. Im excited for people to hear, as its very different to a lot of my work so far.

When do you think youll embark on a tour?

As soon as it is possible to do so! I am so excited to spread the music across as many places and to as many people as possible.

And, what would you like to achieve in the early part of next year? 

We have a few exciting things planned for 2015. Including a physical release. Watch this space!

How is your debut album coming along?

Choosing songs for the album is going to be a tough one. We are fortunate enough to have a good sized collection to choose from, but are also planning more writing sessions in the new year. Its got to be just right. We have been working on some more uptempo songs,that should help balance the album well.

Its great to hear that your album is in works AND on the way to be completed. Exciting. Before that though are you planning anything perhaps in the early quarter of 2015 Perhaps an EP?

We are planning a release in the early part of next year. Cant say too much so maybe well have to do another interview in January or Feb if youll have me?!

Of course, Id love to to have you back. Can you share some hints to the next EP?

With my debut EP being an introduction to my music, and the Christmas EP being well, Christmas! I wanted to explore a romantic and uplifting theme for the new year. Im excited for everyone to hear the songs weve chosen for it!


Next year, a new James Bond Movie is being released! I can totally envisage you fronting the next James Bond feature. That has to happen! Lets make it happen! What is your favourite James Bond theme song annnnnnnnnnddd how many heartbeats would it take for you to say yes if they actually offered you the chance to sing the next James Bond theme?

I love the theme to Octopussy, Live And Let Die and The Spy Who Loved Me. And I would probably say yes before the question of would you like to…” could be finished!


Talking of film soundtracks, your Christmas EP also included a magical cover of A Dream Is A Wish Your Heart Makes. A good idea to include a song on a Christmas EP that is yet both festive and not. Was that the intention?

In a way, yes. I think the lyric is perfect for that of a lullaby to a small child. And I guess that although we can have dreams all year round, Christmas is the time of year when there is a little more magic in the air and they are perhaps more likely to come true! The song also feels like a little reminder - its Christmas, so dont forget to make a wish!

Beyond A Dream, what are your favourite Disney songs?

God Help The Outcasts from The Hunchback of Notre Dame and When She Loved Me from Toy Story 2.

And if you would do a Disney Songbook EP what would be your 5 additional Disney songs youd cover in a heartbeat?

The two above, Hes A Tramp (Lady And The Tramp), Youve Got A Friend In Me (Toy Story) Some Day My Prince Will Come (Snow White And The Seven Dwarfs)

And into that what is it that makes Disney films - and their confluent soundtracks - that makes them ever so special?

The ability to touch every heart in a unique way, through catching an imagination or hitting a nerve Cynics underestimate the power of Disney films. And the best songs stand alone in those movies. Look at how much of a hit Let It Go (Frozen) was and still is! And I remember years ago, from when I used to sing in a jazz band, Some Day My Prince Will Come was in the Jazz Fake Book!

What is your favourite Disney Princess and would you ever consider a role in a future film?

Elsa & Anna (Frozen) And not just because its the most recent movie. And Rapunzel. And YES, of course!

Back to the music. Since introducing yourself and your music with the appearance of Afterglow this year, what have you learnt so far?

A good friend of mine has the perfect quote to answer this question. I was going through a tough time and was getting anxious and impatient, and said, All I want, is to move the world. He replied with, Be yourself and the world will move with you. It was so profound, I even wrote it in my note book there and then! I have learnt that in this industry, there is a lot of pressure to try and fit yourself into a box in which you dont belong. I am so happy doing what Im doing and am so grateful to have the opportunity to do it. If it makes other people happy too, then that is immensely special.

Although its early days what you say to other singer-songwriters starting out tracing the same path as your own?

Dont pay attention to what everyone says you should be doing, stick to what makes you happy. Dont be precious with your material or your technique - listen to criticism, take it in and then say yes or no. Take every opportunity presented to you (within reason). And only surround yourself with people who enrich your life. Learn something from everything and everyone.

Some quarters have begun to draw comparisons to Karen Carpenter (in relation to the voice) and Adele (in relation of being a young & exciting new female singer-songwriter). How does that feel?

Well, they are huge compliments as both are exceptional artists. There was no other like Karen and there never will be again. Karen is undoubtedly one of my favourite all time female singers. I adore her voice. If people say if I move them in a similar way to how Karen did then that is a great honour. And to be spoken about alongside Adele is amazing - she defies any trend or genre and has achieved an enormous amount of success in such a short space of time. I would love to meet her. 

I get the sense your most happiest both on stage but also in the studio too.  Right?

I love both. Creating (studio) and sharing (stage).

Who else would you love to bring into your writing and recording sessions?

I would love to work with David Foster - I think he is a wonderful producer and songwriter, with such a great ability to work with distinctive voices. Also, Diane Warren is such a great songwriter - I would love to hear what she would write for me, or even collaborate with her Burt Bacharach would be fantastic, as I grew up with so much of his music. And Barry Manilow - I think he is one of the most underrated songwriters and producers of our time. What a wonderful gift. I listen to his songs constantly; he is a big influence. Also, Jake Shears and Rufus Wainwright are two writers I would love to work with. Rufus Wainwright wrote Going To A Town on George Michaels Symphonica album and I adore it. And Jake Shears is a brilliant songwriter. And Richard Carpenter is just incredible. His songs and arrangement have always been a big inspiration to me and that music, very close to my heart.

Would you ever consider ever a collaboration that is outside your current sound/direction? Perhaps a dance/house release. Like what Judie Tzuke did with the Freemasons? I could hear a special dance hook-up with Freemasons working especially with your voice.

Definitely. I think this would be a great way to reach another audience, that might not otherwise discover my music. Also, this would be such a great experience.

And, would you ever commission a dance remix of one of your singles? And if so who would you most like to see take your song and bring it to the dancefloors……??
Mark Ronson. I think he is so brilliant at merging genres and would love to hear what hed do with my voice and one of my songs.

What song do you wish youd written?

A Song For You, written by Leon Russell.

I love A Song For You! Such beautiful song writing. Why do you wish youd written that song in particular?

For me, this song is flawless. I feel incredibly connected to the lyric. I love everything about where the melody takes the voice. The Carpenters version is my favourite, but I also love Donny Hathaways version. I cant really explain any more why this song in particular. Occasionally a song comes alone and it hits every spot it possibly could inside you. This does that to me. I love you in a place where theres no space, or time. I love you for in my life, you are a friend of mine. And when my life is over, remember when we were together. We were alone and I was singing this song to you. Perfection.


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Harriet's Christmas EP is available now on iTunes (Here)
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